The White Album is 40

The White Album Is 40

My all time favorite album turned 40 this week. The Bea­t­les self titled dou­ble album was released on Novem­ber 22, 1968. It’s bet­ter known as The White Album due to it’s white cover. It was The Bea­t­les only dou­ble album and their only self titled album. I also believe it was their best album (and con­sid­er­ing the com­pe­ti­tion that is say­ing a lot.)

Sure not every one of the album’s 30 tracks is up to The Bea­t­les usual incred­i­bly high stan­dards. Songs like “Good­night” and “Don’t Pass Me By” (sorry Ringo) won’t ever rank among The Bea­t­les best and in fact they do rank among their worst. But even the not so great songs seem to add to the album’s char­ac­ter. And these few weak tracks are def­i­nitely excep­tions and not the rule.

Some would say that these weak tracks are an indi­ca­tion that the album should have been a sin­gle album instead. I strongly dis­agree. 13 or so tracks prob­a­bly would have had to have been cut to make it into a sin­gle album and there’s no way there are 13 tracks that could be cut from The White Album.

To me it’s the great vari­ety of The White Album that helps to make it so time­less and so end­lessly lis­ten­able. It’s the one album I seem to never get bored of. It’s amaz­ing how I still hear new things in the songs all of these years later. I first heard The White Album about 12 years ago and I am still blown away by the nuances and musi­cal lay­ers of these songs. I wouldn’t call the album a “grower” as that term is usu­ally reserved for an album one doesn’t ini­tially enjoy and then grows to like. This is an album I ini­tially loved and then grew to love even more and more over the years.

Songs such as “Martha My Dear” and “Honey Pie” may have seemed like “throw­aways” when I first heard it but now they seem essen­tial. These are bril­liant songs that show The Bea­t­les at a cre­ative peak. They weren’t merely try­ing to repeat what they had already done, they were always look­ing for new song styles to try, new ways to cre­ate. If you’re the type that enjoys hear­ing the same song over and over again (hello Nick­el­back fans!) then sure this may not work for you but if you’re the type that actu­ally likes to hear imag­i­na­tion at play then it cer­tainly is.

Rev­o­lu­tion #9″ is often brought up as the biggest exam­ple of The Bea­t­les “going too far.” Once again I strongly dis­agree. To me “Rev­o­lu­tion #9″ is a vital part of The White Album and I love that it was included. I think, still to this day, it’s the most unusual track ever to be included on a #1 album. That alone would make it an inter­est­ing lis­ten. But it’s more than just unusual. It’s an extremely effec­tive track for what it is. It’s aim is to be unset­tling. To take the lis­tener on a sort of stream of con­scious­ness jour­ney and to that end it works extremely well. While I do not lis­ten to this track every sin­gle time I put on the album (I admit to often stop­ping the album at “Cry Baby Cry” and thus skip­ping “Rev­o­lu­tion #9″ and “Good­night.”) when I do lis­ten to it, I enjoy it.

I far pre­fer that exper­i­ments such as that are included rather than hear­ing an album chock full of aver­age tracks that all sound the same.

The con­trasts of The White Album are bril­liant. From “Hel­ter Skel­ter” the album moves to “Long Long Long.” That has to be among the most intense con­trasts in rock his­tory. “Hel­ter Skel­ter” is the heav­i­est song The Bea­t­les ever recorded and “Long Long Long” is the qui­etest. These songs are the per­fect rep­re­sen­ta­tion of what The White Album is. Vari­ety, con­trast, imag­i­na­tion, and excellence.

Matthew Yoho | Art & Enter­tain­ment
3 Decem­ber 2008