Wilson & Alroy’s Record Reviews

Bril­liant and Amaz­ingly Eclec­tic, but Long Winded

You know a record’s good when Eric Clap­ton drops by to deliver a blis­ter­ing gui­tar solo “While My Gui­tar Gen­tly Weeps” and it’s not the only high point of the record — there are many of them, includ­ing kick-ass rock­ers “Birth­day”; “Hel­ter Skel­ter”, har­monic exper­i­ments that put the Byrds to shame “Dear Pru­dence”, sim­ple but unfor­get­table bal­lads “Black­bird”; “Julia”, pure, crafted pop songs “Martha My Dear”, a wild, lengthy sound col­lage “Rev­o­lu­tion #9″, and then all the clever rip-offs — blues “Yer Blues”, country-western “Rocky Racoon”, 20’s jazz “Honey Pie”, the Beach Boys “Back In The U.S.S.R.”, MGM movie sound­tracks “Good­night”, even the Bea­t­les them­selves “Glass Onion”. Still, there are way too many toss-offs and misfires.

— J. Alroy

George has four songs here, and he’s rapidly near­ing his peak as a song­writer, with the horn-powered rocker “Savoy Truf­fle,” a mel­low num­ber in the style that would dom­i­nate his 70s work “Long Long Long”, and of course “While My Gui­tar Gen­tly Weeps.” The exper­i­men­tal­ism gets way out of con­trol, and the frag­men­ta­tion of the group adds to the con­fu­sion. The hilar­i­ous “Back In The U.S.S.R.” par­o­dies not only the Beach Boys but also Chuck Berry “Back in the U.S.A.” and Ray Charles “Geor­gia On My Mind”.

— D.B. Wilson



Review: by J. Alroy & D.B. Wil­son | Wil­son & Alroy’s Record Reviews
Date Unknown